Radio Guide Inspiration (Thanks, Henry Grimm)

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I scored a whole lot of 1938 Radio Guide magazines off of ebay about six years ago – all from the collection of one man, Henry Grimm (or so I assume, since his name is written in pencil on the front cover of most of them and yes, that’s Lucille Ball on the cover of the one in the middle). I’ve spent hours pouring over them, and I thought I’d share a little of the real stories that inspired characters and incidents in my first book, The Darkness Knows.

First of all, there’s a gossip section in every edition centered around Chicago radio called The Radio Tattler. You may recognize this as the gossip section Vivian’s excited about being mentioned in at the beginning of the book. (There were also gossip sections devoted to New York and Los Angeles).

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The character of Little Sammy Evans was inspired by this feature story in the March 19, 1938 edition.

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Also, Vivian mentions when talking to Charlie that there are women that specialize in crying like babies for radio programs. That came from this blurb.

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And here’s the actual listing for Thursday, October 27, 1938. The Darkness Knows would have been listed in the 8:00 time slot – if it had been real, that is. (I love that Henry Grimm put a check mark next to the programs that he planned to listen to – Rudy Vallee’s Variety Hour at 7:00, Maxwell House Coffee’s Good News of 1939 at 8:00, and the Kraft Music Hall Starring Bing Crosby at 9:00. He must have gone to bed after that. ;))

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Research Rabbit Hole – Ghosting

This post isn’t about the spectral beings that go bump in the night.* No, this post came about because I wondered how easy it was to get a driver’s license in 1939 Illinois. It’s been surprisingly difficult to find that answer, but I did find this example of a standard driver’s license (Ohio 1938/39).

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Basically, you got a piece of paper with your name, age, address, and general physical description on it. No picture. Nothing to prove your identity. A driver’s license in the 1930s was just that – a document proving you were permitted to operate a motor vehicle in a specific state and nothing more. Now, of course, a driver’s license is used as a piece of government issued official ID. Not so in the 1930s. Not so until much later in fact. (Texas didn’t even have photos on their licenses until the mid 1970s!) Then, of course, I got to wondering about official IDs and just how easy it would have been to pretend to be someone else at the end of the 1930s. The answer: Pretty darn easy.**

 
It was incredibly easy prior to 1935, as a matter of fact. Social Security Numbers were introduced as part of FDR’s New Deal in that year. Before that the US government had no real way to track anyone. Think about that… You could have lived a perfectly normal life with no birth certificate, no driver’s license, no passport, no documents of any kind attesting that you were who you said you were. Weird to think about, isn’t it? Even after SSNs came into effect it wasn’t that hard to become someone else. Until 1986 (?!) a person was not required to have a SSN until they received their first paycheck (usually at the earliest around the age of 14). So it was relatively easy even into the 1980s to find a person that had died before adulthood, assume their identity, and be issued a SSN under their name. Crazy.
Government agencies also didn’t communicate much with each other before the computer/internet age. The SS office didn’t automatically share records with the passport office, for example. So if you wanted to dump your real identity and try a new one on for size in 1939 (i.e. Ghosting) all you’d need to do, according to what I’ve dug us so far, was:

  1. Find a deceased person of your gender who would be about your age had they lived.
  2. Make sure they died before being issued a SSN.
  3. Make sure there weren’t any close living relatives of that person that would know you aren’t Uncle Joe or Cousin Sally.
  4. Acquire the birth certificate of that dead person.
  5. Use that birth certificate to acquire other means of ID as necessary.
  6. Live it up with your new identity.

Of course, this is much more difficult today, though still possible. I’m sure you can find ample advice on the interwebs about it if you’re curious.

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* I also don’t mean “ghosting” in the 21st century social media sense.

**Realistically though, most people wouldn’t have wanted to. Most people are fairly happy with their lives and have loved ones they want to continue to have contact with on a regular basis. And whether they realized it or not, most people have dozens, perhaps hundreds, of people that know exactly who they are on sight. So, unless you were willing to move to the other side of the world, cut off all contact with anyone that knew you in your “previous life”, and/or get drastically change your looks it was probably a no go – even in the late 1930s. Unless you were desperate or on the run from the law…

 

 

Halloween Costumes – 1938 Style

The action in THE DARKNESS KNOWS takes place October 27 – 31, 1938. That’s prime Halloween time; so of course, I had to include a masquerade scene. It was a lot of fun to write, but it took some thought to find costumes for the characters that wouldn’t be anachronistic to the time.

Charlie and Vivian’s last minute cowboy attire was borrowed from the “costume closet” at WCHI and more specifically from the Country Cavalcade (a fictional country music program based on WLS’s popular Barn Dance). I got the idea from this photo of Jack Benny and a bunch of lovelies from a Radio Stars magazine article.

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Vivian’s friend Imogene is dressed as Maid Marion from the 1938 movie version of Robin Hood (played by Olivia de Havilland).

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Imogene’s boyfriend George and Graham (much to George’s chagrin) are both dressed as Robin Hood himself (as played by Errol Flynn).

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Head of the radio station, Mr. Hart, is dressed as another famous Errol Flynn role – the pirate, Captain Blood.

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Speaking of movies, Frances Barrow is dressed as Snow White (the Disney film was a smash hit in 1937-38). (Frances would have also make a fabulous Scarlett O’Hara, but alas, the movie version of that didn’t come out until the end of 1939.)

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Station Engineer, Morty Nickerson, is dressed as Prince Charming from Snow White.

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Announcer, Bill Purdy, is The Lone Ranger – a radio hit since 1933 and appearing in movie serials starting in 1938.

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Fellow actor, Dave Chapman, is Superman. Superman debuted in Action Comics #1 in June 1938, so he was a brand new at the time of the masquerade. Weird to think that there was a time Superman didn’t exist, isn’t it?

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Another actor, Little Sammy Evans, is a court jester. (The photo below is from the 1955 Danny Kaye movie, but imagine the same sort of costume.)

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Other various and sundry characters you’ll find at the WCHI Halloween Masquerade of 1938 are Little Orphan Annie, Cleopatra, Queen Victoria, Henry VIII, and The Red Baron.

Victorian Funeral Fun

In case you haven’t noticed I am a huge history nerd. I also love a good ghost story (and to actually “hunt” ghosts, but that’s another post). So my eyes lit up when I spied this event from the Wisconsin Historical Society: When Angels Carried them Away: Death and Mourning in the Victorian Era.

That’s right. I spent last Saturday evening learning about Victorian funeral customs. The day cooperated by being delightfully dreary. The misty rain stopped long enough for us to disembark from the tour boat at Black Point Estate to hear an interesting presentation on Victorian death and funerals (It’s presented only 3 Saturdays in October. There are 2 left if you’re in the area).

bpI was surprised about how much I already knew – that’s probably because I read books like “This Republic of Suffering: Death and the American Civil War” and “Wisconsin Death Trip” for fun. Pre-WWI, most wakes and funerals were held in the deceased’s home, and the body was prepared for burial by the family. It’s a bit ghoulish to modern sensibilities, I suppose, to imagine having a dead body in the house for days – even if it was a beloved relative. But death was a common occurrence then. It came at you from all sides – communicable disease being the main culprit. Sanitation wasn’t great, and antibiotics wouldn’t become widely used until the end of WWII. A simple cut could lead to an infection that could then lead to sepsis and death lightening quick. The death rate for infants was almost 20%. It was a rare mother that didn’t lose at least one child to disease before its first birthday, and most women lost more than one.

20161001_170055According to this presentation, embalming came into being with the development of formaldehyde in the 1860s and was first practiced on a large scale during the American Civil War to allow soldiers’ bodies to be sent home from the battlefield to their families for burial. The man presenting was a retired funeral director and he had a vintage collection of fascinating (and pretty morbid) embalming and burial implements. The metal clamp for keeping a body’s mouth closed until rigor mortis could set in was especially shiver inducing – as well as a metal and glass contraption for collecting fluids from a body while it was being transported in pre-embalming days. (Here’s a word for you to ruminate on – “putrefaction”. You’re welcome.)

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The presentation also touched on a particular Victorian past-time: post-mortem photography. Yes, people had photos taken of deceased loved ones for keepsakes. There is some evidence, though, that the popularity of that been overblown in today’s popular culture. Maybe Victorians weren’t quite as ghoulish as we’ve been lead to believe. Still, it’s a nice creepy thing to think about – if you’re inclined to think about nice creepy things – as I am. Google it, if you dare.

I half expected the house to have been set up like an actual Victorian wake was in process and the tour group to be lead in as mourners. It wasn’t, but still, it was a very interesting evening.

By the way, I overheard a tour guide assuring someone that they haven’t had any reports of ghostly activity in that particular old house. Too bad… it would be a fantastic place for a ghost hunt.